Behringer C-3 XLR Microphone

From the manufacturer C-3 Dual-Diaphragm Studio Condenser Microphone Professional large dual-diaphragm condenser microphone for studio recording and live applications Ideal as main and support microphone for studio and live applications Selectable cardioid, omnidirectional or figure eight pickup pattern Pressure-gradient transducer with shock-mounted dual-diaphragm capsule Perfect for acoustic instruments, overhead, piano, etc. Gold-plated 3-pin XLR connector for highest signal integrity Exceptionally flat frequency response and ultra-high sound resolution Ultra low-noise transformerless FET input eliminates low-frequency distortion Ultra-rugged construction with metal die-cast body Swivel stand mount and transport case included The dual-diaphragm C-3 microphone is a home recording enthusiast’s dream come true! This professional quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy. With selectable pickup patterns (cardioid, omni and figure eight), frequency filters and input pads, the C-3 mic is an excellent choice for any recording scenario – and rugged enough to go the distance! With a heavy duty suspension mount and windscreen included in the sleek aluminum case, the C-3 just may be the only microphone your studio will need. What is a Condenser Mic? Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They are the primary type of microphone used in recording studios and radio stations. The C-3 mic is capable of capturing much more detail than most dynamic microphones because of its wider and flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V) for operation. You can power your C-3 using any phantom power equipped BehringerXENYX mixer – plus enjoy the benefits of our state-of-the-art XENYX mic preamps. Why the C-3? The C-3 is an affordable, high-quality way to put this essential studio tool to work for you. It has three selectable pickup patterns: omnidirectional for capturing sound equally on all sides; cardioid for picking up your source signal while rejecting off-axis sounds; and figure-eight for capturing sound both behind and in front of the mic, but not all the way around. With its excellent transducer and gold-plated XLR output, the C-3 is very neutral-sounding and truly delivers on the promise of noise-free transmission. But That’s Not All… The C-3 condenser microphone is designed to be your go-to studio mic for many years to come. The tough, die-cast metal body can withstand the rigors of all those late-night recording marathons – and the included carrying case ensures your C-3 always travels in safety and style. Check out the incredible Behringer C-3 at a dealer near you. Review: An Excellent Microphone at a great price - This is a very good microphone. t is a condenser Microphone so also requires a Phantom power supply.or a few extra pounds it provides 3 different capture settings rather than the 1 of the C-1. In each mode the capture is excellent compared to a dynamic microphone. Many people compare this microphone to much more expensive microphones and rubbish it. I would agree, but price per performance is excellent. Comparing this microphone with others in its class it wins hands down.. It was good enough that I bought another for my home sound studio. I largely do voice recording with this mic, and for this task it performs amazingly well. In use it is well worth using a pop filter, and this really does improve its response. This microphone is designed to work on a stand only and a shock absorbing microphone stand does make the difference. If you want a fantastic microphone with a name then you have to pay the price. If you want a very good microphone at a budget price then this is the one to get started with. Review: Does what it says it does and for a very good price. - I was concerned that this microphone was not going to sound as good as more expensive makes because of it's price difference. Those concerns vanished once I plugged it in and used it. There were some reviewers that said it was very noisy, I didn't find this. The noise level is very slightly higher than the more expensive makes but I record onto a laptop using audacity and then use a noise gate to reduce the high frequencies at low levels which removes any hiss you do hear but makes the vocals sound very natural and crisp. I use the microphone to record vocals for radio programmes and this microphone gives a very flat and natural sound. I didn't find I needed a wind shield or a shock mount. If you angle the microphone on the supplied bracket on a microphone stand and talk slightly over it rather than straight into it you don't tend to get popping. I did try recording with it set to omnidirectional in the middle of a room and it picks up uniformly around the full circle. I'm very happy with it, it is a great product at a very good price. Just remember you need a phantom powered mixer or interface for it, which I already had.